ANTI-ASSIMILATIONIST LANDSCAPE
2017︎︎︎2024

Through a study of two queer contemporary photographers working with landscape imagery, I proposes a theory of anti-assimilationist landscape: a politicized rejection of the conventions of landscape imagery and the repressive systems of land ownership, gender, and nation-building it sustains. Collier Schorr and David Benjamin Sherry make landscape images in sites with histories of gendered settler-colonial and white supremacist violence. The essay argues that their works function as both interpretation of those sites and a queer reclamation of them, enacting a political ecology of difference that can allow for a politics outside of the liberal democratic notion of citizenship rights and the fascist notion of ‘blood and soil.’ Arguing for its applicability to landscape architecture theory and practice, I contrast this anti-assimilationist mode to the turn-of-the-millennium concept of ‘eco-revelation,’ proposing instead a queer aesthetics of obscuring and the potential of ‘becoming illegible’ as an environmentalist practice.

You can read the article in Journal of Landscape Architecture: “Anti-Assimilationist Landscape: Becoming Illegible as Queer Resistance to State Power.” Journal of Landscape Architecture 19 (1): 20–33. doi:10.1080/18626033.2024.2408908.